Sunday Xpress presents…


Since 2006 I’ve been involved with an open mic/showcase event called the Sunday Xpress which has become a mainstay of the underground music and performing arts scene in Birmingham, and currently has its home at Centrala, based in the Minerva Works complex in what is referred to as Eastside.

Sunday Xpress does deserve a blog and a website of its own, publicity is gathered via social media, text message and word-of-mouth, but for the time being, any news will appear here, and where better than to start than the news of the extravaganza we have in store for this weekend on Sunday at 3pm start?

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Georgiou/Tolley – “The World Lived Here: L8”

I was invited by Darryl Georgiou and Rebekah Tolley to discuss their work as part of the Culture Shifts project, overseen by the Open Eye Gallery in Liverpool. Alongside photographer Andrew Jackson, and the residents of Liverpool L8, they will be exhibiting part of their findings at the Gallery on October 5th, alongside the Granby Four Streets Community Land Trust (Granby CLT), situated in Toxteth in Liverpool. The CLT itself grew out of residents’ decades long campaign to oppose demolition and re-build their community through creative community action.

Georgiou and Tolley both hope that this project, which they’ve entitled “The World Lived Here: L8” will discuss the ethics of artists working with communities on funded projects, and also discuss the differences between urban renewal , gentrification and redevelopment.

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Paradise/Palimpsest Birmingham

1 a manuscript or piece of writing material on which later writing has been superimposed on effaced earlier writing.
◦ something reused or altered but still bearing visible traces of its earlier form.”Sutton Place is a palimpsest of the taste of successive owners”

A few photos I took today whilst out and about in the City Centre.

With my back to Broad Street I headed towards New Street via Centenary Square and the Fletchers Walk Subway.

My attention was drawn towards the juxtaposition of buildings under construction superimposed on the landscape.
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Ghost/Demon Attenborough on London Midland train.

As it says. There are new stickers advertising the use of streaming Wi-Fi on London Midland trains. I was sitting behind one the other day going into the City Centre, advertising the fact that you could stream a new programme by Attenborough on your device. Usually I use the stop between University and Five Ways to gawp out the window at the allotments, the private school grandeur of Hallfield Preparatory and the canal towpath. Not that day, as the sticky side of the poster blurred my vision of the natural beauty. And to top it off, a reverse demon/ghost of Attenborough in shadow was constantly staring at me, its eyes glowing red and yellow and on fire.  Looking for all like Blake, the risen from the sea hook-handed pirate out of John Carpenter’s The Fog.

It was, as they say, quite a trip. Thanks.



An afternoon with Robert Horrocks – Crossroads of Sabbath, The Queen is Alive, and the opening of the Holy Relic.

The big news here is that Robert Horrocks will be presenting his Crossroads of Sabbath walks this year, from April to November. Full dates and booking information can be found here. This blog also will give details of his next performance at the Sunday Xpress on April 23rd which will be a historical re-creation of an event he played at the Ivy Bush on Hagley Road in 1992, and will include collaboration with me before and after the event, entitled “The Queen is Alive.” Finally, the blog will also feature a recalling of our visit to The Black Eagle in Handsworth, where will be able to open The Holy Relic, a key artefact in the presenting of the story of the Crossroads of Sabbath.

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Sunday Xpress presents – A Field in Hampshire, a performance by Robert Horrocks.

On the 19th of March at Centrala, Digbeth  at 5pm, the Sunday Xpress will be joined by music archaeologist and “the world’s leading expert on the genesis of Black Sabbath” Robert Horrocks.  He will be presenting “A Field in Hampshire”, a re-enactment of a gig he played in 1991, which will be an experiment with music, memory, and nostalgia. I was invited to his home in Handsworth for a private viewing and dress rehearsal of this event, along with a sneak preview of his current exhibition.

It’s the second time I’ve been in this front room in Handsworth. A sumptuous Edwardian build with high ceilings. In the hallway on the right hand side, effects pedals have been lined neatly along the skirting board, pride of place on top of the Minton tiles. After a cup of coffee, I am invited into the front room.

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